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It is the serene contemplation eaves of the virtue Kotobuki shrine. In the building which adopted a Western style, the King of the Korea times, a high sect do a banquet, and it is the place that relaxed. A secret underground passage long narrowly which reached in the Russian park seems to still stay on the back of this building. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is the gate of the virtue Kotobuki shrine. A cinnabar red line is beautiful. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is Xianning of the virtue Kotobuki shrine. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is Xianning of the virtue Kotobuki shrine. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is Xianning of the virtue Kotobuki shrine. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is virtue Hiroshi of the virtue Kotobuki shrine. Virtue Hiroshi is a distinguished guest interview place of the King of the foundation in 1911. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is virtue Hiroshi of the virtue Kotobuki shrine. Virtue Hiroshi is a distinguished guest interview place of the King of the foundation in 1911. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Republic of Korea / Seoul |
Size: | 5435 x 3772Pixels |
It is the gate of the arch of the brick of the virtue Kotobuki shrine. A cinnabar red line is beautiful. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is Hall of the virtue Kotobuki shrine. Hall is the place that held enthronement ceremony of the King in old days. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is Mido in the old days of the virtue Kotobuki shrine. Mido is the wooden building which is quiet in a building of only 2 stories in virtue Kotobuki shrine in old days. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is Mido in the old days of the virtue Kotobuki shrine. Mido is the wooden building which is quiet in a building of only 2 stories in virtue Kotobuki shrine in old days. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is Mido in the old days of the virtue Kotobuki shrine. Mido is the wooden building which is quiet in a building of only 2 stories in virtue Kotobuki shrine in old days. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is the Hall of Central Harmony of the virtue Kotobuki shrine. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is a tripod put in front of the Hall of Central Harmony of the virtue Kotobuki shrine. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is the Hall of Central Harmony of the virtue Kotobuki shrine. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is the inside of the Hall of Central Harmony of the virtue Kotobuki shrine. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5580 x 3704Pixels |
It is a way of the King in front of the Hall of Central Harmony of the virtue Kotobuki shrine. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is the Hall of Central Harmony of the virtue Kotobuki shrine. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is the Hall of Central Harmony of the virtue Kotobuki shrine. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is the gate in front of the Hall of Central Harmony of the virtue Kotobuki shrine, the neutralization gate. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is the gate in front of the Hall of Central Harmony of the virtue Kotobuki shrine, a way of the King of the neutralization door front. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 4783 x 3636Pixels |
It is the gate in front of the Hall of Central Harmony of the virtue Kotobuki shrine, the neutralization gate. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is the gate of the entrance of the virtue Kotobuki shrine, the large Han gate. Originally the front gate of the virtue Kotobuki shrine was [INFAMUN], but I was good, and the large Han gate which the convenience to transportation had good came to be used in 1900's, and it came to be used as the front gate. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5603 x 3728Pixels |
It is the gate of the entrance of the virtue Kotobuki shrine, the large Han gate. Originally the front gate of the virtue Kotobuki shrine was [INFAMUN], but I was good, and the large Han gate which the convenience to transportation had good came to be used in 1900's, and it came to be used as the front gate. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Republic of Korea / Seoul |
Size: | 5616 x 3744Pixels |
It is the sea and dusk of Tokyo that it looked at from Odaiba. The center is Rainbow Bridge. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Tokyo |
Size: | 5616 x 3744Pixels |
It is the illuminations of the Christmas tree. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Tokyo |
Size: | 3744 x 5616Pixels |
It is the illuminations of the Christmas tree. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Japan / Tokyo |
Size: | 3744 x 5616Pixels |
The pure white Christmas tree is lighted illuminations. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
---|---|
Location: | Japan / Tokyo |
Size: | 3744 x 5616Pixels |
It is the illuminations of the Christmas tree. | |
Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
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Location: | Japan / Tokyo |
Size: | 3744 x 5616Pixels |
It is the oyster bird which there was by the sea of Odaiba. I write it as the oyster bird, and the scientific name is a bird of the plover eyes gull department in [Larusridibundus]. I come as a winter bird commonly in the watersides of the whole country in Japan. I become the oysterbird of Tokyo. | |
Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
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Location: | Japan / Tokyo |
Size: | 4112 x 2904Pixels |
It is the oyster bird which there was by the sea of Odaiba. I write it as the oyster bird, and the scientific name is a bird of the plover eyes gull department in [Larusridibundus]. I come as a winter bird commonly in the watersides of the whole country in Japan. I become the oysterbird of Tokyo. | |
Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
---|---|
Location: | Japan / Tokyo |
Size: | 3948 x 2796Pixels |
It is the Rainbow Bridge which it watched from the ship of the Sumida River descent. As for the Rainbow Bridge completed in 1993, as for the bridge length, there is 798m at the suspension bridge which links Odaiba to Shibaura of Minato-ku, Tokyo. The official name is [Metropolitan expressway 11 Daiba Line / Tokyo Port communication bridge (harborside road)]. The high-resolution version is divided into four pieces at about 300 million pixels of size, and staying is [http://www.tmyun.com/jpeg/yun_6722_1.jpg, yun_6722_3.jpg, yun_6722_4.Because it is put as jpg], please obtain it directly. | |
Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
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Location: | Japan / Tokyo |
Size: | 61198 x 5610Pixels |
It is the scenery which it watched from the ship of the Sumida River descent. It is Rainbow Bridge of the backlight. As for the Rainbow Bridge completed in 1993, as for the bridge length, there is 798m at the suspension bridge which links Odaiba to Shibaura of Minato-ku, Tokyo. The official name is [Metropolitan expressway 11 Daiba Line / Tokyo Port communication bridge (harborside road)]. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Tokyo |
Size: | 5616 x 3744Pixels |
It is the scenery which it watched from the ship of the Sumida River descent. It is Kachidoki Bridge appearing in the Sumida River. This bridge completed in 1940 was a rare movable bridge in Japan (a bascule bridge), but it was gone to be done splash open of November 29, 1970 last. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Tokyo |
Size: | 5616 x 3744Pixels |
It is the scenery which it watched from the ship of the Sumida River descent. It is a bridge of the blue to appear in the Sumida River, Kiyosu Bridge. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Tokyo |
Size: | 5308 x 3568Pixels |
It is the scenery which it watched from the ship of the Sumida River descent. It is yellow bridge built over the Sumida River, new Ohashi. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Tokyo |
Size: | 5616 x 3744Pixels |
It is the scenery which it watched from the ship of the Sumida River descent. It is the bridge of the Metropolitan expressway built over the Sumida River. I become the two countries junction and can understand Metropolitan expressway 7 Komatsugawa Line and Metropolitan expressway 6 Mukoujima line here. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Tokyo |
Size: | 5589 x 3714Pixels |
It is the scenery which it watched from the ship of the Sumida River descent. I passed sightseeing ship to go the Sumida River. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Tokyo |
Size: | 5616 x 3744Pixels |
It is the scenery which it watched from the ship of the Sumida River descent. It is a green bridge built over the Sumida River, a stable bridge. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Tokyo |
Size: | 5616 x 3744Pixels |
I see the art object which changed over there of Azumabashi. This is an art object of the Asahi Beer. This art object seems to express [the flame of the flame-holder]. It is popular one of Asakusa. | |
Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
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Location: | Japan / Tokyo |
Size: | 5004 x 3357Pixels |